Posting just before the U.S. Thanksgiving Holiday - my favorite - let's step back for some big perspective.
You’ll enjoy and be edified by Eliot Peper’s passionate and fascinating interview with journalist and science fiction maven Annalee Newitz about her new novel “Autonomous,” which explores how intellectual property and dominant corporations might (if we’re not careful) lead to coercive oppression and quashed innovation in the future. It’s a vital topic. Both Intellectual Property (IP) trolls and corporate-rights fanatics have taken important enlightenment-pragmatic innovations and turned them into fundamentalist excuses for oligarchy.
As fitting and proper in a dire-warning tale, Annalee portrays these trends getting worse in the future, with both organic and AI beings suffering effective slavery.
Today we see innovative creations thwarted or forbidden or hidden away — from screenplays to medicines to spare parts that would let you repair your own tractor. Generic drugs get unscrupulously blocked and rapacious giants like Monsanto persecute farmers for accidentally growing wind-blown seeds. This could all get much worse as synthetic agents like AI or blockchain programs start developing their own needs or else exist as wholly-owned sepoys of controlling corporations.
Warnings like Annalee's are apropos and needed. Still, I have yet to see any of the modern jeremiads against “IP-abuse” delve into why our enlightenment experiment created and fostered these things — patents, copyrights and corporations — in the first place.
Yes, rapacious exploiters have found ways to use patents etc. against innovation and competition. But that masks the reason that copyrights and patents were created in the first place ... in order to foster those good things! (I have a chapter about this in The Transparent Society.)
Yes, rapacious exploiters have found ways to use patents etc. against innovation and competition. But that masks the reason that copyrights and patents were created in the first place ... in order to foster those good things! (I have a chapter about this in The Transparent Society.)
Ponder the tragic comedy of errors called “human history.” Sure, most of the calamities were wrought by one thing -- stupid governance by feudalism . But there were some other dampers on freedom and progress.
One was simple human self-interest. If you invented something – say a new plow or better glass – there was only one way for you and your children to profit from the new technology… if you kept it secret.
One was simple human self-interest. If you invented something – say a new plow or better glass – there was only one way for you and your children to profit from the new technology… if you kept it secret.
Consider how many techs we once had, then lost, across 6000 years. Clear glass. The Baghdad battery. Forceps. Damascus steel. Antekythera devices, suggesting there were geared clocks and sophisticated computer-calculators. The steam machinery of Heron of Alexandria. All vanished because someone died, or forgot the recipe, or some invading army killed the two sons who knew the secret.
Patents were designed to solve this by luring inventors and inventions out of the shadows, bribing innovators with a reliable income stream so they would feel an incentive to immediately share their breakthroughs, rather than hide them. And then the miracle would happen. Someone across town would swiftly make an improvement and patent that… and we were off. (See my posting: Considering Copyright - and Patents.)
Sure, over time, shyster lawyers found ways to twist the meaning of this reform in directions never intended, perverting it into a methodology for cheating, parasitism and innovation suppression. So? Please dig the real lesson. Cheating… will… always… happen. That kind of human will always be with us. And correcting such parasitic maneuvers is what politics is supposed to be for.
Which is why politics itself -- as a mature methodology for discussing problems and adults negotiating solutions – had to be killed, starting with the “Hastert Rule” and diving into Murdochism. Indeed, liberals aren't fault-free! Because they let these perversions of the IP reform turn them away from remembering what IP was originally for. Instead of seeking to correct the perversions, the standard dogma is to toss it all. Both bathwater and baby.
None of which is said in order to turn you away from Automonous, by Annalee Newitz! Her thought experiment is excellent and insightful…
…as is a vivid novel by Karl Schroeder, soon to be offered for pre-sale: “Stealing Worlds,” which portrays a tomorrow fully as dark as Annalee’s, for many of the same reasons. It’s a hacker/cyberpunk novel set in a future dominated by dark corporations and even darker rogue algorithms, only with some twists informed by Karl’s expertise in the new world of blockchain coinage and contracts.
Yes, I differ with both authors over where we may be heading – I don’t deem their described failure-mode paths to be highly plausible. (How do you have ever-rising automated production of ever-cheaper and even home-printable goods coincide with massive, super-depression poverty, in which no one can afford to buy anything and revolution simmers around the corner, empowered by spectacularly democratized means of destruction?
Such a future would have to entail mass bribery of the lower orders and quelling them with pleasure – Huxleyan rather than Orwellian despotism. There are several possible attractor states -- many of them unattractive -- that such a society may drift toward -- feudal fealty pyramids, revolution, intelligent-though-uncompassionate social contracts – but none of them plausibly combine vast-cheap production with simmering-resentful world-slums, as enticing as those seem for a fiction author.
Such a future would have to entail mass bribery of the lower orders and quelling them with pleasure – Huxleyan rather than Orwellian despotism. There are several possible attractor states -- many of them unattractive -- that such a society may drift toward -- feudal fealty pyramids, revolution, intelligent-though-uncompassionate social contracts – but none of them plausibly combine vast-cheap production with simmering-resentful world-slums, as enticing as those seem for a fiction author.
Still, these are great reads! Moreover, it’s kinda flattering how both novels wind up delivering an ultimate plot resolution similar to the one I came up with, in EARTH (1989) -- a democratized transcendence that replies to the monolithic saviors offered earlier, by the likes of Asimov and Clarke!
Indeed, it is the sort of literal, plausible deus ex machine that might offer our best hope for a soft-landing, amid this ongoing good-and-bad singularity.
Indeed, it is the sort of literal, plausible deus ex machine that might offer our best hope for a soft-landing, amid this ongoing good-and-bad singularity.
== Other explorations of SF ==
Here's as essay on "What is SF" by I guy I've long known. He tries to parse Science fiction as science fiction.
As you know, I prefer "Speculative History," since science does not have to be central to our stories, but change is. (I've long believed fantasy is about static social structures - generally feudal/demigod - and SF is drawn to thought experiments about how things might be shaken into new forms.)
This essay is more focused, peeking at speculative fiction books set on single-gender planets. An interesting sampler that includes my Glory Season, tangentially. Of course there are many left out. The most important would be Philip Wylie’s 1950s novel The Disappearance in which women-only and men-only worlds both exist in parallel (as the title suggests, separation is sudden), and the overall lesson is surprisingly advanced for the era when it was written.
The biggest sub-genre that is not alluded-to is the SF’nal world where one gender is so marginalized that it might as well be cattle. In that sub-genre, there are as many angry feminist authors as callously contemptuous male ones.
The biggest sub-genre that is not alluded-to is the SF’nal world where one gender is so marginalized that it might as well be cattle. In that sub-genre, there are as many angry feminist authors as callously contemptuous male ones.
== And more fecundity! ==
Ray Kurzweil's first novel, Danielle: Chronicles of a Superheroine, tells the story of a remarkable girl who, with her super-intelligence and smart technologies, plus help from her friends — solves some of the world’s largest challenges: curing cancer, brokering peace in the middle east, and providing clean water to millions in Africa. And she does it all before her 16th birthday.
2001: An Odyssey in Words: Celebrating the Centenary of Arthur C. Clarke’s Birth, is an anthology edited by Ian Whates and Tom Hunter, with fiction by Alastair Reynolds, Bruce Sterling, Neil Gaiman, China Mieville, Becky Chambers, Chris Beckett and others, with each story exactly 2001 words in length.
Unfit: a new sci fi magazine worth a look… they aim to explore some kinda surreal stuff… like my own “The Crystal Spheres.”
For a little optimism, and some online vividness, see Seat 14c, a shared anthology sposored by ANA Airlines, in which one of their 2017 flights winds up in the year 2037. Fun from some of the best writers in the genre.
For a little optimism, and some online vividness, see Seat 14c, a shared anthology sposored by ANA Airlines, in which one of their 2017 flights winds up in the year 2037. Fun from some of the best writers in the genre.
Here's a fun rundown of novels that play mind games with reality, in the spirit of the recent Nexflix show MANIAC.
And an interesting historical document. A 1964 Playboy interview with Asimov, Pohl, Anderson, Serling, Budrys, Clarke, Sturgeon, Blish, Heinlein… Dang they could and should have then included Judith Merrill, C.L. Moore, and Leigh Brackett, but still, kinda fascinating. Naturally, where they were on-target, you feel a sense of awe. As you’ll wince at some myopia and failure to see what should have been obvious. And well, there's an unfortunate cartoon. But hey, we’ve made progress!
Children of Time – the sci-fi novel by author Adrian Tchaikovsky that won the Arthur Clarke Award, portrays what may be the last humans attempting to colonize a world already occupied by sapient spiders who had been uplifted by humans with good taste in ship names. And Lionsgate films is in pre-production. It could be great! (The novel sure is.) So here’s hoping.
And finally an important endeavor in civics education by the creator of Saturday Morning Breakfast Cereal comix.















