It's Space Opera Week! "Explore the Cosmos in 10 Classic Space Opera Universes!" On the Tor site, Alan Brown takes you on a tour of his favorites. Good stuff! (Okay I am biased, but they're all good! ;-)
A recent TV interview, Resolving 21st Century Challenges - on Future Talk TV in the Bay Area, with host Martin Wasserman.
Want something to do with a spare minute, now and then, while out and about with your phone? I’ve begun answering questions on a new phone app called Askers! For info, see TheAskers.com. New users get free credits, so no charge to listen to my first few 1-minute answers - about singularities, uplift, gravity lasers, AI and The Postman flick. You can even earn money by asking popular questions!
The rebooted Omni-Online has featured ten science fiction books that "changed the genre forever." From The Time Machine to The Left Hand of Darkness, 1984 to Neuromancer, The Giver to I, Robot. Very flattered to see The Postman on this list - though there are certainly many worthy candidates for post-apocalyptic fiction.
Oh, we just watched "Passengers" -- the recent film about two people stranded aboard an interstellar luxury liner when their hibernation ends 90 years too soon. A pleasant and well-crafted film that touches traditional notes in freshly sf'nal ways. What I found remarkable though is that it eschewed the standard need to base everything upon Villainy, Apocalypse, Pessimism, Incompetence and Dystopia (VAPID).*
The peril and jeopardy and tension in "Passengers" are all the result of bad luck, happenstance, character and a rough universe -- no bad guys. In this respect, it was like "The Martian" and the lovely, gentle Spike Jonze film "Her." One can hope that more creators will rise above the reflexive Idiot Plot and ponder how drama can be told without the lazy, plot-simplifying assumption of stupidity.
Only slightly less rare are shows in which either the villainy is secondary to the generally positive and uplifting theme -- "The Arrival" and "Eureka" -- or else at least some faith is kept with the notion that humans and their institutions can gradually improve: "Star Trek," of course, and "Stargate" and "Babylon Five." Others folks? Oh but the Idiot Plot is vastly more common. Read about it.
== SF interfaces reality and science! ==
NIAC, NASA's Innovative and Advanced Concepts program funds twenty-two visionary space concepts -- many seemingly from the pages of science fiction! Wait for word about the coming NIAC Symposium in Denver, September 25-27. Open to the public, if you register. As a member of NIAC's advisory External Council, I'll be there.
Cloning in the news: Harvard scientists have inserted wooly mammoth genes into an elephant's genome. Wooly mammoth clones may be resurrected in our near future -- a topic visited often in SF. See: "Twelve Memorable Times Science Fiction Sent in the Clones" which offers a selection of novels
that explore futuristic implications of cloning, from Hannu Rajaniemi’s The Quantum Thief to Mur Lafferty’s Six Wakes, Richard Morgan’s Altered Carbon,
Kazua Ishiguro’s Never Let Me Go... and my own Kiln People. Well, a kind of clone, I guess.
AI: Inspiration: The New York Times names science fiction novels that have helped frame the discussion about artificial intelligence, including books from I, Robot to Ghost Fleet and films from Blade Runner to Her.

Want something to do with a spare minute, now and then, while out and about with your phone? I’ve begun answering questions on a new phone app called Askers! For info, see TheAskers.com. New users get free credits, so no charge to listen to my first few 1-minute answers - about singularities, uplift, gravity lasers, AI and The Postman flick. You can even earn money by asking popular questions!
The rebooted Omni-Online has featured ten science fiction books that "changed the genre forever." From The Time Machine to The Left Hand of Darkness, 1984 to Neuromancer, The Giver to I, Robot. Very flattered to see The Postman on this list - though there are certainly many worthy candidates for post-apocalyptic fiction.
The peril and jeopardy and tension in "Passengers" are all the result of bad luck, happenstance, character and a rough universe -- no bad guys. In this respect, it was like "The Martian" and the lovely, gentle Spike Jonze film "Her." One can hope that more creators will rise above the reflexive Idiot Plot and ponder how drama can be told without the lazy, plot-simplifying assumption of stupidity.
Only slightly less rare are shows in which either the villainy is secondary to the generally positive and uplifting theme -- "The Arrival" and "Eureka" -- or else at least some faith is kept with the notion that humans and their institutions can gradually improve: "Star Trek," of course, and "Stargate" and "Babylon Five." Others folks? Oh but the Idiot Plot is vastly more common. Read about it.
== SF interfaces reality and science! ==
NIAC, NASA's Innovative and Advanced Concepts program funds twenty-two visionary space concepts -- many seemingly from the pages of science fiction! Wait for word about the coming NIAC Symposium in Denver, September 25-27. Open to the public, if you register. As a member of NIAC's advisory External Council, I'll be there.

AI: Inspiration: The New York Times names science fiction novels that have helped frame the discussion about artificial intelligence, including books from I, Robot to Ghost Fleet and films from Blade Runner to Her.
“World’s largest hedge fund to replace managers with artificial intelligence.” For years I have warned that “Skynet” is less likely to arise from military programs than from Wall Street, where more money is spent on AI research than at the top twenty universities… and where the central ethos is secrecy, insatiability, predatory, parasitical and completely amoral. “Bridgewater wants day-to-day management—hiring, firing, decision-making—to be guided by software that doles out instructions.” And as I write this… we just watched Terminator Genisys last night. Yipe.
On a more positive note: See an extensive blog posting by the innovative maven of computational theory - Stephen Wolfram on developing the alien language for Arrival, and how the alien spaceship might work. Plus see his chart on reasons aliens might come to Earth. He offers much more, actually, like a dissection of some concepts for interstellar travel.
Stephen's more recent, mini-book-length posting offers an amazing, expansive and comprehensive posting - is actually a mini-book, contemplating what insights he has had since his epic book “A New Kind of Science” came out, 15 years ago.

Apparently The Expanse is teetering on the edge of cancelation. Spread the word and consider ways to make your viewership visible. And The Handmaid's Tale is premiering on Hulu.
== News and announcements ==
On Locus Online, eminent critic Paul Di Filippo offers an insightful, thorough and positive appraisal of my new transparency anthology Chasing Shadows. If you were wavering, this might put the book on your Get List!
How to endure the unendurable? A lovely reading of my short story, The Logs -- from my collection Insistence of Vision.
How to endure the unendurable? A lovely reading of my short story, The Logs -- from my collection Insistence of Vision.
I originally submitted two scripts to
the one page screenplay competition in LA. The first one --
"Bargain" won the contest! The role of Ronald Reagan was delightfully
performed by Peter Nelson. Poor sound quality, but nicely done.
The second one
"Diaspora" was also produced -- well sort of. The reading was
less artfully done. No effort was made to get the accents. Heck, the taxi
driver could at least have turned his chair! Still, it's a thrill to be
produced! Here comes the bigtime! I hope you enjoy an ironic little piece.
Oh and now this cool item. A team of
brilliant cinematographers have forged ahead on the "Neo" film, about
humanity's future. Their first announcement trailer won the 'Future-Maker
Award' at Beijing's 2016 Global Innovator Conference and was covered
domestically in the US. I'm flattered how they made use of my miserably limited
supply of erudition and charisma.
Here is a link to the film's news page. The filmmakers are currently in their 2nd round of financing, aiming to continue
production this Spring 2017. Neo was also just accepted into
the Realscreen Summit Showdown at the end of January in Washington DC where they
will have the opportunity to pitch the film to leading distributors like Netflix,
HBO, Discovery, Nat Geo, and more.
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PS... okay I admit it what one of you pointed out. * Substitute "despair" for "pessimism" and you could use "DAVID".
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PS... okay I admit it what one of you pointed out. * Substitute "despair" for "pessimism" and you could use "DAVID".