Showing posts with label Hugo Awards. Show all posts
Showing posts with label Hugo Awards. Show all posts

Saturday, September 16, 2017

Perspectives from Science Fiction: Hugos and other marvels

Best of the year in science fiction & fantasy: Congratulations to the many fine winners of the 2017 Hugo Award -- especially N. K. Jemison for best novel (The Obelisk Gate), sequel to her award-winning novel The Fifth Season, Seanan McGuire for best novella (Every Heart a Doorway), Ursula Vernon for best novelette (The Tomato Thief), Amal El-Mohtar for best short story (Seasons of Glass and Iron). 

Let’s settle one thing: I defend an author's right to win a best novel Hugo for a sequel to a novel that won a Hugo! Um... I'd be a hypocrite to do otherwise! ;-) 

Oh and also, let’s celebrate that science fiction has always – and yes always, ever since it was founded by our revered grandmother of SF, Mary Wollstonecraft (Shelley) – been the genre of literature most welcoming to bold ideas about human and non-human diversity, and brashly exploratory authors. Yes, SF was always “better than its times” when it came to such things, though every decade deserved the reproof of later decades, for its own myopic misdeeds. Leaving our self-critical movement always looking for the next cause for self-improvement!

So what are we doing now, that will cause later generations of brave questioners and boundary-pushers to reprove? What terrible habit will reformers tell us to break next, when we get the upper hand on racism, sexism and cultural conformity? I think I know what it will be! (Hint: what is the most harmful and nasty thing that even good people now routinely do to each other, with barely a thought to fairness or consequences? And I include people as good as you envision yourself to be. Discuss in comments, below.)

Still, let's get back to the latest generation of marvelous new authors. Two impressive ones to watch, in my opinion?  

Ada Palmer, author of the dense and intellectually rich thought experiments Too Like The Lightning and its sequel Seven Surrenders… And Sue Burke, who impressed me with her novel Semiosis, a less-dense and quicker-moving, episodic tale about humans colonizing a planet and awakening dormant super-intelligent plant life.

== SF'nal methods applied! ==

Prototyping a better tomorrow: An extensive article by Kevin Bankston on “science fiction prototyping” reveals how many companies, NGOs and agencies are now building up their suites of consultants who are expert at crafting SF “what-if” scenarios. Examples include the 64 writers and creators assembled by the XPrize Foundation.

For example, Bankston writes, “Mozilla commissioned stories from big-name writers like Cory Doctorow, Hannu Rajaniemi, and Daniel Suarez for its conference on the future of the open internet, while the Data and Society Research Institute similarly used science fiction as a scenarios tool for driving a conference discussion, which ultimately led to a published set of four stories about the future of A.I. and automation. 

A new online community and content portal called Scout is explicitly focused on using science fiction to understand the present and plan for tomorrow. Ari popper's endeavor SciFutures contracts with companies to build imaginative scenarios, on-demand. And Future Tense on Slate is publishing original science fiction by Emily St. John Mandel and Paulo Bacigalupi "accompanied by expert commentary to help readers grapple with new technologies.”

Another good example that's available for free download: Stories in the Stratosphere, a collection of near-future stories collected ASU: Center for Science and Imagination, edited by Ed Finn – with stories by Karl Schroeder, Brenda Cooper, plus one I collaborated on with Tobias Buckell. “Each story presents a snapshot of a possible future where the stratosphere is a key space for solving problems, exploring opportunities or playing out conflicts unfolding on the Earth’s surface.” It was sponsored by one of the new strato-balloon companies - World View - founded by Pluto pioneer Alan Stern.

== The harder, bigger questions ==

Is it possible to portray a human civilization that is post-singularity?  Of course it’s easy, if the advanced machines are malevolent toward our descendants, who scramble for survival like rats underfoot, as portrayed in Gregory Benford’s Galactic Center series and many works of cyberpunk. Assume all that and the plot-peril comes easily. The story almost writes itself. (See this secret decrypted.) 

But what if the coming singularity goes better than expected? Might we find the wondrously desired “soft landing” when humanity and our creations learn to prosper together? Iain Banks - in his Culture Novels - proposed that bio-humans and their civilization would be cherished, guided and cared-for by super-AI minds — machines of loving grace — who thereupon incorporate the best of us into their matrices, in order to “stay human-based.” They also find important work for those men and women who feel ambitious, adventurous and creative.

And yes, it’s much harder to portray a positive post-singularity humanity. How do you depict descendants who happen also to be (in effect) omniscient gods?  I made my own efforts to take on this challenge in tales like “Stones of Significance” and "Reality Check." But how much easier (and lazier) it is to throw your characters into hardscrabble peril, dodging the stomping heels of meanie skynets and terminators?

Still, you can find positive post-singularity stories in the oddest places. By Cordwainer Smith, for example, or Philip José Farmer, or Roger Zelazny… 

... and by my former teacher, Ursula LeGuin, who presents us with a future humanity that has the leisure and instrumentalities and passion to study the languages of animals — even ants — for the sake of vastly expanded empathy and art. 
Go read “The Author of the Acacia Seeds And Other Extracts from the Journal of the Association of Therolinguistics,” (from Le Guin's collection, The Compass Rose) and tell me how the trio of little vignettes can be set anywhere/when other than in a fine posterity that’s spectacularly wealthier and also richer in “otherness” than even our own. These are tasty little tales, in their own right.  But it is the author’s implicit confidence in humanity that I find most endearing… that we will keep expanding our circles of inclusion and eagerly spending our new plenty on frenetically, eagerly getting to know.

Ah, but will there be others to know, as we embark on a perilous journey into the Anthropocene, a new geological era — crafted (for worse (or better) by man — we know we’re causing a wave of extinctions that will certainly match that of the late Pleistocene, and conceivably the dire one at the end of the Cretaceous? There are even those speaking of Permian levels of annihilation, in which case you can be sure that humanity will end amid the rubble and heat and poisoned atmosphere, the effluents of our woefully incomplete sapience.

In both Earth and Existence I took a balanced view, that we still have a chance to steer this vessel. After all, suppose you had been around in the 1980s and were asked to bet on the number of surviving whale species, in 2017. Who would have wagered that all of them would still be around, and rising in numbers?

As a 50 year Sierra Club and Greenpeace member, I know we must agitate and spread awareness of the dark potential costs of human negligence. I am beating drums and knocking heads!  And yet…

…and yet, as Captain Kirk said, there remain “possibilities.”  

Hence see this book Inheritors of the Earth: How Nature is Thriving in an Age of Extinction - on “The sixth mass genesis? New species are coming into existence faster than ever thanks to humans.”  And yes, there is a danger that this argument may be misused by the enemies of the Earth, of civilization and of our children.  Those rationalizing haters of science and responsibility abound.

And yet… for those of you who can nurse complex thoughts and nuance, there is grist here for some pondering.

== News and Updates == 

In Seat 14C: The XPrize Foundation – in collaboration with ANA Airlines – has issued on online anthology based on a fun conceit.  A dozen top science fiction authors were asked to write stories about passengers aboard ANA flight 008, landing in San Francisco of the year 2037, two decades later than they expected to arrive.  Stories by Kevin Anderson, James Morrow, Mary Anne Mohanraj, Gregory Benford, Bruce Sterling and many other luminaries. Way-fun stuff.  Not much consistency except… here’s your monthly dose of optimism!

Speaking of XPrize… they FB-posted a well-produced video of me explaining the concept of the self-preventing prophecy, and how we gird ourselves through science fiction to face tomorrow's perils. 

While we're at it, here are more Ted-style talks about our future!

(1) The “Neo” Project aims to create a vividly beautiful film, combining science and art with optimism. They feature my blather about peering into the future. Vivid imagery and remarkable sound editing.

(2) Video of my talk on the future of A.I. to a packed house at IBM's World of Watson congress in Las Vegas, October 2016. A punchy tour of big perspectives on Intelligence, as well as both artificial and human augmentation.

(3) At the Smithsonian - "Will we diversify into many types of humanity?"


Okay, I'm almost done with this Science Fiction roundup... but hold on...

Last chance to get The Practice Effect on Kindle for only $1.99!

== Alternate Worlds Abound! ==

HBO’s new parallel world sci fi show called “Confederate” seems a timely, provocative riff on our re-ignited American Civil War.  “The series takes place in an alternate timeline, where the Southern states have successfully seceded from the Union, giving rise to a nation in which slavery remains legal and has evolved into a modern institution. The story follows a broad swath of characters on both sides of the Mason-Dixon Demilitarized Zone — freedom fighters, slave hunters, politicians, abolitionists, journalists, the executives of a slave-holding conglomerate and the families of people in their thrall.”  I'll comment more on this, later. But note that I have long said we're in phase 8 of the American Civil War...

... and so here's your costume for Halloween. I mean it. Demand may exceed supply, so act now!

Another alternate history drama series, which has been in the works at Amazon for over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man franchises, Straight Outta Compton) and Peabody-winning The Boondocks creator and Black Jesus co-creator Aaron McGruder. It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States.

And finally.... Aw… RIP Gonzilla! 

Wednesday, April 03, 2013

Hugo Awards and other Science-Fictional News


Congratulations to this year's nominated novels (and their brilliant authors) for the 2012 best of the year Hugo Award in Science Fiction.

Hugo-Award-Nominees-2013Nominees for best novel include 2312, by Kim Stanley Robinson , Blackout, by Mira Grant, Captain Vorpatril’s Alliance, by Lois McMaster Bujold, Redshirts: A Novel with Three Codas, by John Scalzi, and Throne of the Crescent Moon, by Saladin Ahmed.   These works show the incredible range of modern SF, from grownup literary speculation about the future to humor to consistent series to quasi-fantasy.  I am proud to be part of such a bold movement dedicated to the exploration of ideas.

Don't just read and enjoy the nominated works. Join and attend this year's Science Fiction Worldcon (we'll be there)! And attend the Hugo ceremony at Lone Star Con this August in San Antonio.

Again, felicitations to our proud and deserving colleagues!  Oh, also have a look at the other categories, which include short works by long-time greats Nancy Kress and Pat Cadigan ... as well as works by rising young stars like Kij Johnson and Ken Liu and others.  Many of the shorter works are now available for viewing or downloading for free.

== Smart Mobs in Real Life? ==

See real-life plans to empower "smart mobs." In Existence I portray -- among many aspects of our world 30 years from now -- the fluid and skilled use of Smart Mobs, or ad hoc groups of amateur citizens who use rapid access to vast information troves, plus sophisticated analytics tools, to attack and deal with real-time problems more quickly and effectively than even the pros in government or industry.  Such effective use of flat, "networked" systems is (at best) in its FBearly days. (See my novella, The Smartest Mob, as well Howard Rheingold's Smart Mobs: The Next Social Revolution.)

Facebook and Twitter were effective at calling out rioters during the Arab Spring. They are inherently limited at coordinating the expert abilities of far-flung citizens, dividing tasks, coalescing the Big Picture and drawing effective conclusions. You can't blame members of our professional castes for deeming this a sci fi hope and little more.

Still, consider that the government's best tools tend to enter corporate use within a decade and private hands soon after. Vast data streams and sophisticated analytics might lead to "smart-mob" empowered citizen action networks… that is, if certain enabling technologies surfaced.  Better forms of online discourse, for example (I have patents!) And software that rise above TwitBook lobotomization, encouraging us to be smarter than the sum of our parts, not a whole lot dumber.

Walter Lasecki of the University of Rochester is one fellow who at least seems to get what's needed. I cannot attest to how these ideas are executed. But advanced collaboration-ware would be a great start.

== Most Iconic Characters? ==

For a recent interview I was asked to name the "most iconic science fiction characters" I could think of.  Well, well.  On the one hand...

the-ship-who-sung...science fiction has always conveyed certain rebel themes. For example, the character who is able to remake herself or himself and rise up to meet insurmountable challenges. One who comes to mind is Helva, in Anne McCaffrey's The Ship Who Sang, whose crippling handicaps  are resolved when she becomes the "brain" of a starship and goes on to achievements her earlier self could not have imagined. A grittier version would be Gully Foyle, a low-class space hand in Alfred Bester's The Stars My Destination, who makes mistake after mistake but finds his way to world-changing greatness. This is often an underlying theme in the classic series Star Trek, wherein the products of Star Fleet Academy and the Federation as a whole - like Captains Kirk and Picard and Janeway - typify the iconic self-made hero.

Of course there is another theme, one that is far older than the rather American notion of self-improvement.  That theme is the demigod.  The born prince who suffers the abuse of fools until... lo! ... he comes into his powers.

This approach goes back to Homer and pervaded most legends till our time. Indeed, it is still the propellant of comic books.  It was extolled by Joseph Campbell in The Power of Myth, wherein Campbell left out all the dark sides to this ancient, limiting and morally-dubious storytelling pattern.  In science fiction, famous adherents included  A.E. Van Vogt, L. Ron Hubbard and, more recently, Orson Scott Card, whose every protagonist is born to be better than humanity at large and vested with the perfect-inherent right to over-rule any democratic institutions standing in his way.

Robert A. Heinlein_1973_Time Enough For LoveSometimes these characters aren't cruel in their own right: take Luke Skywalker and Harry Potter.  The trope does not have to be deliberately oppressive! Indeed, Robert Heinlein's iconic Lazarus Long relentlessly works for humanity and helps us to find our own, independent strength, just as Tolkien's born-prince - Aragorn - has a common touch.  Still, these are "icons" of a side of science fiction that is older and more deeply tied to our feudal-romantic past. Those who keep returning to it are doing us no favors.

When I saw all of this in an epiphany, one day, I vowed to try to avoid Nietzschean ubermensche demigod-superman types and stick to characters who are merely way, way above average.

Have you seen my more extensive essay, Our Favorite Cliche: The Idiot Plot, where I decrypt WHY so many sci fi tales and movies go for the easy crutch of the uber-demigod hero... or else posit that society is useless and ALL our fellow citizens are fools?

== And some random thoughts… ==

I'll be on the road for a week, consulting for some agencies and such… so these snippets will have to hold you.

Took the family on a long, overnight, clickety-clack rail journey across much of China, back in 2007. It seems we were very lucky to travel from Xian to Chengdu when we did - the next time you travel in China it will be via High Speed Rail and by 2020 there will be 50,000 kilometres of it. Wow.  In the same time period California will have built out 1% of that - 500km or so. We have got to rediscover ambition.

Okay, fair enough! A satirical music video from South Africa, where youth there decide to help freezing Norwegians by sending them radiators. Delicious. Respect-worthy. Good music and images, too.

38 maps of the US and the world that take unusual perspectives.

Is this for real? The O.R.B. is a ring you wear on your finger that twists into a bone conduction earpiece-phone.  Oh, I've got something better.  Whatever wristwatch phone thing Apple comes up with, my design is better and those companies who get jealous of the Apple watch should get in touch!

A big project in London to bore 32 km of new tube/metro/subway lines using giant tunneling machines.

And another project in New York, where deep tunneling wasn't the norm. (Most NY subways  were shallow-trenched. Not very useful in an emergency or Blitz!)

A thought-provoking illustrated polemic as to who better predicted our (dystopic) future, Orwell or Huxley?

Expression of Emotions in 20th Century Books: A new analysis of words in scanned Google books indicates that English speakers becoming less emotional (but American English is decidedly more emotional than British English).

And finally… a wondrous-hilarious re-do of the great "Who's on First" Abbott and Costello routine… only redone in Shakespearean dialect.

Thrive-all and persevere.