Showing posts with label Arthur C. Clarke Center for Human Imagination. Show all posts
Showing posts with label Arthur C. Clarke Center for Human Imagination. Show all posts

Tuesday, December 15, 2015

Childhood's End and Remembering Arthur C. Clarke

Last night was the premiere of Childhood's End on SyFy. The reviewers haven't been kind  but I think it's been very faithful to the source novel. We'll be watching part two tonight.

December 16 would have been Arthur C. Clarke’s 98th birthday. Arthur (who called me a colleague and friend, despite our only having corresponded by mail) passed on in 2008, after ninety years of a life that could only have happened in the century and civilization that he helped to shape.

Clarke has long and deservedly been called one of the finest “hard” science fiction authors, for good reason. From the beginning of his career as a writer, he explored frontiers of human knowledge, pondering the implications of everything from cetacean intelligence to planetology. From the logic of John Von Neumann’s universal self-replicator to the possible motives of beings far in advance of ourselves.

And yet, what most intrigues me about Arthur’s work is something else – his ongoing fascination with human destiny – a term seemingly at odds with the scientific worldview.

True, a great many of his stories have focused on problem-solving, in the face of some intractable riddle. His characters, confronted with something mysterious, aren’t daunted. They gather resources, pool knowledge, argue, experiment, and then – often – transform the enigmatic into something that’s wondrously known. This part of the human adventure has always shown us at our best. Peeling away layers. Penetrating darkness. Looking back at the wizard, standing behind the curtain.

But there is another Arthur C. Clarke. The one who sent David Bowman through the monolith in his great classic, 2001. The author who gave us Childhood’s End. One who frets that we may not be wise enough to survive the next few generations of tense immaturity, let alone become worthy of joining more advanced communities of mind.

And so, we have a recurring theme of intervention – quasi-divine -- receiving outside help to achieve our potential. It was Clarke’s Law that a sufficiently advanced technology will be indistinguishable from magic. What few have pointed out is how often he brought in Supertech/magic to save humanity from itself.

In this mix of both fizzing optimism and dour worry, Arthur always struck me as similar to two other giants, both Isaac Asimov and Ray Bradbury, who also surveyed very wide horizons, from alluring to disquieting. Indeed, Isaac spent a very long span exploring extensively a topic beloved to Arthur, the notion of humanity needing guidance from supertech outsiders -- in his case robots -- leading to a similar conclusion.  That fractious individualism must give way to a more-mature level of unitary uber-mind. A conclusion that Isaac started to back away-from, in the years before he died, leaving hints that I wove into Foundation's Triumph.

In contrast, the other "BACH" authors -- Bradbury and Heinlein -- always believed that human beings -- as individuals and then arguing among ourselves -- can and will figure things out. (Side note: in EARTH I explore a different possibility, that humanity might be able to participate in higher levels of mind without losing individuality.)

What none of them ever did – and especially not Arthur – was give in to despair. The notion of change never lost its fascination. Clarke's works appear always to say, “what was will not always be, so get ready.” Yes, the past deserves honor – it got us here – but the future is what draws us forward. As it has always drawn Arthur C. Clarke.

Here’s Arthur Clarke on the challenges of predicting the future: 

“The only thing we can be sure of about the future is that it will be absolutely fantastic. So if what I say now seems to you to be very reasonable, then I have failed completely. Only if what I tell you appears absolutely unbelievable, have we any chance of visualizing the future as it will really happen.”

Indeed, Clarke’s Three Laws of prediction summarize his views on the future and our ability to look forward to tomorrow:

1) When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.

2) The only way of discovering the limits of the possible is to venture a little way past them into the impossible.

3) Any sufficiently advanced technology is indistinguishable from magic.

Today, Clarke's work is honored and remembered with the Arthur C. Clarke Center for Human Imagination, founded by professor Sheldon Brown at the University of California at San Diego (UCSD) -- where researchers investigate the underpinnings of creativity and imagination, key elements in how we will shape and create a bold future .... 

...one that would have made Arthur proud. 


Friday, April 20, 2012

The new Arthur C. Clarke Center for Human Imagination...plus innovative space concepts

"The only way of discovering the limits of the possible is to venture a little way past them into the impossible." --Arthur C. Clarke

In some cool, exciting news, I can now formally announce the fruition of a project that I’ve been helping put together for some time, led by my colleague, UCSD professor Sheldon Brown.

The University of California, San Diego and the Arthur C. Clarke Foundation have agreed to establish the Arthur C. Clarke Center for Human Imagination (ACCCHI) at UCSD. The agreement was signed in conjunction with the Clarke Foundation’s annual international Clarke Awards held on April 12 in Washington, D.C.

What intrigued me most about Arthur's work was his ongoing fascination with human destiny. See my personal tribute to Arthur C. Clarke.

The Clarke Center will foster collaborations among institutions and individuals across a wide range of communities and continents in fields such as technology, education, engineering, health, science, industry, environment, entertainment and the arts.


Its mission will be to develop, catalyze and be a global resource for innovative research, education and leading edge initiatives, drawing upon the under-utilized resources of human imagination..."to explore its sources; to weigh its consequences in human development, including in the advancement of science, literature, and the arts; to examine and predict how creativity intersects with historical moments; and to discover and encourage individuals of all nations and ages, gifted with exceptional insight," according to the Arthur C. Clarke Foundation.

In addition to being celebrated for his multidisciplinary legacy in science and engineering, Arthur C. Clarke is considered one of the most inspiring and engaging science fiction writers of all time for such classics as Childhood’s End, Rendezvous with Rama and 2001: A Space Odyssey. His visionary books and papers have fueled the imagination and avocations of young and old for more than six decades.

“The Clarke Center will be a focal point for active collaboration on current and future research and an intersection of disciplines for the purpose of identifying and advancing creative and innovative solutions for the challenges of contemporary and future societies,” said UCSD Vice Chancellor Sandra Brown.

NewModernismUCSD is also known as the university campus that has engendered more scientifically-oriented science fiction authors, among its graduates, than any other in the world. Former chancellor Dynes once ventured "it must be something in the water..."

The New Modernism: Blending Science, Engineering, Art and Human Imagination: Here's the text of the speech I gave at the opening of UCSD's new Structural and Materials Engineering Building, where the Clarke Center will find its new home -- a place where collaboration, innovation, and flow between cultures is not only allowed...but encouraged.

The Clarke Center will address questions such as...

--Where does the fantastic gift of imagination come from?
--How can it be taught and nurtured?
--Can we simultaneously unleash imagination with greater freedom, yet better harness it to individual and human needs?
--How can we develop the art of prediction to become a useful art or science?

Learn more about the Arthur C. Clarke Center for HumanImagination at http://imagination.ucsd.edu

== NASA's NIAC explores new concepts ==

And while we're on the subject of scientifically grounded imagination and innovation...

...I thought you'd all like this article about the NASA Innovative and Advance Concepts Program Spring Symposium I attended recently in Pasadena -- featuring some of the stunning ideas receiving small stimulation grants from NASA's Innovative Advanced Concepts (NAIC) program. Oh there are still great ideas.  Now to restore the confidence and ambition of a scientific civilization: Is NASA Boring? Not A Chance! 

As a member of the NIAC advisory board, I help appraise these cutting edge new ideas.  Here are just a few that I can share with you.

JPL Explores Sending CubeSats to Phobos

Printing entire buildings, even in space: The Case for Contour Crafting

Electrostatic Active Space Radiation Shielding For Deep Space Missions

Radiation Shielding Materials Containing Hydrogen Boron and Nitrogen

Using Lasers as Tractor Beams 

Heat Shields Made From Dirt? Ice Powered Machines? 

==More Science Fiction==

With the recent public release of the 1940 census data online, popular interest surged. But what questions will be asked on the year 2080 census forms?  Like what is your current sex? Fun article.

For even more far-out ideas? See the brand new Publisher’s Weekly preview recommendation (pick-of-the-week for the entire U.S. publishing industry) for Existence.

And... riffing off of that theme... searching of other places to live and work in the cosmos... we just watched the film Another Earth on DVD.  I knew it was 95% a tear-jerker or “chick-flick” and only 5% about the sudden appearance of a duplicate to our planet, visible from here and rapidly approaching.  The science-fictional elements were there - and somewhat contorted - in service to the inter-personal, angst-driven drama of a girl whose great prospects are dashed by a moment’s foolishness -- and she must deal with guilt and redemption as the giant blue framing device gets ever closer to her world.

Having said all that, we found it intelligent, moving, tense, rewarding... and not at all offensive as sci fi.  Oh, do crank down your sf’nal dials!  Some things are preposterous... while others are cleverly explained or played out.  Worthwhile, including the cool ending.